These results are a rough estimate of a proper analysis. The AI used to generate this report can make very stupid mistakes. Numbers in parentheses represent the confidence the AI has in the preceding statement.
This is how you described the room:
The room is simple and a little dark. The windows are arranged so that there is not a great deal of sunlight entering -- although it is day time. It is not dark though. Also, there is no electric lamp or other lamp. The walls are painted a medium tan or beige. The furniture and trim is wood. The fabric on the furniture, windows and carpet are simple natural weavings and felt. The colors are natural dyes in dull shades of brown yelow, tan and khaki. There are no bright colors.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This comfortable room suggests a childhood that was pleasant (100.00%). The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood (97.80%).
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
The trees are tall evergreens. There are places of light and dark.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave (48.71%). Tall trees imply that the adults had a strong influence on the subject (98.38%).
This is how you described the path:
It is fairly well travelled, easy to walk, and easy to find one's way.
Adolescence is represented by the path through the forest. Lots of obstructions on the path indicate many problems during adolescence (37.86%). The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time (58.87%). Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence (53.16%). A wide path indicates that the subject had numerous options for emotional growth at this time (68.18%).
This is how you described the water:
The water is a river. It is about thirty feet wide and fast moving, but with no white caps. It's appearance is dark but on close inspection you can see the bottom in the calmer places.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex (89.12%). The presence of life in or around the water indicates a strong desire for children (83.37%). The movement of the water suggests a normal, average if somewhat playful sex drive (99.96%).
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
It is a stainless steel camping cup, with straight sides and flat bottom.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. That the container is refuse or damaged suggests a cynicism about the institution (54.44%).
You left the cup behind.
The subject is not interested in marriage.
This is how you described the key:
It is a modern, metal key that appears to be for a standard entry door lock.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Decorative keys suggest that the subject wants an attention-grabbing, one-of-a-kind career (46.36%). Note that the subject is confused about the purpose of the key: the subject has no discernible goals when it comes to a career (37.45%).
You avoided the bear.
In a crisis, the subject prefers the indirect, non-confrontational approach.
When you came to the wall, you tried to go around it.
The wall represents death: by trying to walk around it, the subject shows an acknowledgment of death, but also a need for an alternative to its finality, such as an afterlife or reincarnation.