Analysis for Anonymous, 11 March 2008

This is how you described the room:

The room is cold. There is a bed, dresser, desk and chair in the room simple yet the room seems clutered because it is so small.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. Few, simple furnishings tells us that the subject has few memories of that time (81.80%). An uncomfortable room suggests a childhood that was devoid of happiness (82.46%).

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

The forest is dark spanish moss fills the trees hanging down as far as the ground. there are trees with root s out of the ground some so big I had to climb over them every so often you could hear a bird or a ray of sunlight will hit you

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A very dark forest tells us that the subject felt considerably oppressed by the attentions of the adults (71.67%). Very tall trees imply that the adults had a significant and substantial impact on the subject’s life (92.04%).

This is how you described the path:

the trail is narrow only wide enough for one person to walk . there are root, leaves and other things in the path it seems well traveled with litter every where.the path is clear but there are twists and turns all wround

Adolescence is represented by the path through the forest. A narrow path suggests that the subject had limited options for emotional growth at this time (99.81%). The visibility of the path tells us that the subject had a good idea of what to expect from adolescence (96.91%). The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time (98.75%). That the path is free of obstructions indicates that the subject had no problems during adolescence (99.65%).

This is how you described the water:

The ends at a beautiful waterfall the goes in to a pond trees and colorful flowers fill the land around me. The water is cool, crisp and clean there are small animals all around me the mist from the waterfall gentley lands on my face the noise is so peaceful it sounds like a recording

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex (100.00%). Slow, gently moving water suggests a passive, restrained, calm sex drive (95.12%).

When you came to the water, you crossed it.

The subject is open to new sexual experiences.

This is how you described the cup:

the flask has a shine from the sun hitting it but there are some dents in it the flask is about half way full and the top rusted on tight

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage (99.70%).

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

the key is an old skeloton key the design on the top is unique with twists and turns. I imagine someone dropped it many years ago what it goes to is a whole story of it self maybe a treasure or a secret garden

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Magical or fantastic keys suggest that the subject has unreasonably high expectations of what will result from a career (71.38%). Old-fashioned keys suggest that the subject desires a traditional career (99.90%).

You confronted the bear.

In a crisis, the subject prefers the direct, no-nonsense approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.