Analysis for Atinon Queano, 1 June 2006

This is how you described the room:

The room is of an adequate size. It is warm and inviting. There are antique furnitures of good quality. It has an antique rose curved bed with lots of white pillows. There is a life size mirror that reflects ones selfimage when you gaze at it. It shows that the occupant of this room really took good care of each pieces.They were all shiny and smell of pine.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. The items in the room are average, which tells us that the subject has the normal memories of childhood (44.19%). This comfortable room suggests a childhood that was pleasant (99.89%).

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

The forest is full of tall trees. There are rubber trees, narra, pines and other that I don't know the names. Also there are vines clinging into the trees. It is dark and cold.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A very dark forest tells us that the subject felt considerably oppressed by the attentions of the adults (77.37%). Tall trees imply that the adults had a strong influence on the subject (90.91%).

This is how you described the path:

There are two different paths, one is wide and bright but ended in a ravine. The other one is narrow and it shows that it is widely travelled, marked and opens in a field full of different flowers, reminding you of a beautiful garden at home.

Adolescence is represented by the path through the forest. A wide path indicates that the subject had numerous options for emotional growth at this time (67.48%). The visibility of the path tells us that the subject had a good idea of what to expect from adolescence (98.06%). The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time (96.56%). That the path is free of obstructions indicates that the subject had no problems during adolescence (81.40%).

This is how you described the water:

After following the path it ends with a river. On top of it is a falls water running down and spraying like a beautiful lady's long flowing hair. The river is so clean and you can see the bottom of it. The water is lukewarm very refreshing and relaxing.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex (100.00%). Fast-moving water indicates a strong, active sex drive (67.45%).

When you came to the water, you went around it.

The subject is not interested in new sexual experiences.

This is how you described the cup:

The cup is made up of glass. A very fragile quality.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A decorative container indicates that the subject views marriage as a romantic adventure (48.34%).

You took the cup and filled it.

The subject is interested in marriage, and sex will be a significant part of that relationship.

This is how you described the key:

It made me thinks that something is not right. The key is made up of a precious stones, a diamond cut in a shape of a key that unlock a special room.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Indicating that the key accesses something along the path (the subject’s history) suggests that a career is to solve a life-problem (84.96%). An ordinary-looking key suggests that the subject desires a nondescript career (78.26%).

You avoided the bear.

In a crisis, the subject prefers the indirect, non-confrontational approach.

When you came to the wall, you tried to go around it.

The wall represents death: by trying to walk around it, the subject shows an acknowledgment of death, but also a need for an alternative to its finality, such as an afterlife or reincarnation.