These results are a rough estimate of a proper analysis. The AI used to generate this report can make very stupid mistakes. Numbers in parentheses represent the confidence the AI has in the preceding statement.
This is how you described the room:
The room is circular with grey stone walls. It is warm here and I am comfortable. There is a rich green and blue carpet on the floor. I have woken up in a comfortable armchair, old-fashioned with wooden legs and blue uphostery. Next to the chair, on my left, is a small wooden table with an empty glass on it and a book. The book is thick and bound in black, in an old-fashioned style. In front of me, there is a fireplace containing a dying fire. There is one large window with wooden shutters over it with a desk in front of it. At the desk is a wooden chair. On the desk are some sheets of paper, a few quill pens and jars of different-coloured ink. To the right of the desk is a wooden bookcase with a closed cabinet below and a glass-fronted cabinet above. There is a door on the other side of the fireplace, about 150 degrees away from the desk, which is made of dark polished wood. It is closed, and has a metal doorknob painted black. There is a chest on the other side of the room from the fireplace (behind the chair) with a cloth draped over it. There are two paintings on the wall, one over the chest, one between the chest and desk. The former is a painting of a beautiful woman. The latter is a painting of me.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This comfortable room suggests a childhood that was pleasant (100.00%). The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood (100.00%).
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
The forest is dense with pine trees. The forest is dark, but the cold winter sun shines down onto the path between the trees. I can here animal noises in the forest and can see a few birds flitting between the branches.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave (82.04%). Tall trees imply that the adults had a strong influence on the subject (100.00%).
This is how you described the path:
The path is quite narrow, but it is in the middle of a wide grassy way through the forest. It is slightly above the rest of the ground of the forest. It is a dirt path. It is smooth, clearly marked and looks quite well-travelled, but there is no-one else around.
Adolescence is represented by the path through the forest. Lots of obstructions on the path indicate many problems during adolescence (37.53%). The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time (59.08%). Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence (52.35%). A wide path indicates that the subject had numerous options for emotional growth at this time (67.86%).
This is how you described the water:
The water is a wide river, quite fast-moving yet astonishingly clear. I can see right to the bottom - there are pebbles. It is very deep. I see a duck-billed platypus near the bottom of the river. It sees me and swims away.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex (88.84%). The presence of life in or around the water indicates a strong desire for children (83.47%). The movement of the water suggests a normal, average if somewhat playful sex drive (99.98%).
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
It is a dark glass flask, reddish in colour, almost like a wine bottle but the wrong shape. It has a round bell and a wide neck. It has no label or other marking.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. That the container is refuse or damaged suggests a cynicism about the institution (54.06%).
You left the cup behind.
The subject is not interested in marriage.
This is how you described the key:
The key is a sort of orange-gold colour, with an elaborate unlocking part but a relatively plain end, flat with a small hole in. I think it unlocks a treasure room in a distant desert palace.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Decorative keys suggest that the subject wants an attention-grabbing, one-of-a-kind career (46.76%). Note that the subject is confused about the purpose of the key: the subject has no discernible goals when it comes to a career (37.23%).
You avoided the bear.
In a crisis, the subject prefers the indirect, non-confrontational approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.