Analysis for Blasphemy, 23 January 2006

This is how you described the room:

The room is cozy with many quilts, pillows, and blankets strewn about the floor. The walls are covered with sheets of blue and red tool-like fabric. A large, wooden door with carvings is at one side of the room, and on the other side, a large patio window is open, blowing in the scent of warm, moist dirt. A lone table stands by the door with a porcelain pitcher and dish on top of it.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. The depth of description tells us that the subject has strong memories of childhood (99.14%). This comfortable room suggests a childhood that was pleasant (100.00%).

You wanted to leave the room.

The subject wanted to become an adult.

This is how you described the forest:

There forest is cool and dark. There are many tall hardwood trees and saplings. Old leaf litter covers the ground from the last autumn.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Average lighting tells us that the subject received enough attention from the adults to be guided but not oppressed (35.89%). Tall trees imply that the adults had a strong influence on the subject (84.04%).

This is how you described the path:

The path is one of the few places that saplings aren't growing. It is a narrow, wood-chip trail, that is almost completely covered with fallen leaves.

Adolescence is represented by the path through the forest. A narrow path suggests that the subject had limited options for emotional growth at this time (99.38%). Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence (91.56%). The lack of evidence of fellow travelers suggests strong feelings of isolation at that time (81.77%). That plants are the major source of obstructions tells us that the subject’s problems arose mostly from interactions with adults (82.25%).

This is how you described the water:

A stream of water falls from a crack in a large rock, about twenty feet in the air. The clear water sparkles in a rogue beam of light that has found it's way through the thick foliage as it falls into a small pond, were small koi are swimming, before journeying on as a babbling brook.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex (100.00%). Fast-moving water indicates a strong, active sex drive (41.32%).

When you came to the water, you crossed it.

The subject is open to new sexual experiences.

This is how you described the cup:

A small tin cup rests on a flat, grey rock. It is badly battered and disfigured, but still holds water very well.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage (99.99%).

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

The round, silver, head shines brightly. The notches and ridges look like an average house key.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career (96.39%). An ordinary-looking key suggests that the subject desires a nondescript career (86.94%).

You confronted the bear.

In a crisis, the subject prefers the direct, no-nonsense approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.