Provisional Analysis for Blasphemy, 23 January 2006

These results are a rough estimate of a proper analysis. The AI used to generate this report can make very stupid mistakes. Numbers in parentheses represent the confidence the AI has in the preceding statement.

This is how you described the room:

The room is cozy with many quilts, pillows, and blankets strewn about the floor. The walls are covered with sheets of blue and red tool-like fabric. A large, wooden door with carvings is at one side of the room, and on the other side, a large patio window is open, blowing in the scent of warm, moist dirt. A lone table stands by the door with a porcelain pitcher and dish on top of it.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This comfortable room suggests a childhood that was pleasant (100.00%). The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood (97.72%).

You wanted to leave the room.

The subject wanted to become an adult.

This is how you described the forest:

There forest is cool and dark. There are many tall hardwood trees and saplings. Old leaf litter covers the ground from the last autumn.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave (66.19%). Tall trees imply that the adults had a strong influence on the subject (99.99%).

This is how you described the path:

The path is one of the few places that saplings aren't growing. It is a narrow, wood-chip trail, that is almost completely covered with fallen leaves.

Adolescence is represented by the path through the forest. Lots of obstructions on the path indicate many problems during adolescence (37.94%). The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time (58.35%). Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence (53.72%). A wide path indicates that the subject had numerous options for emotional growth at this time (67.42%).

This is how you described the water:

A stream of water falls from a crack in a large rock, about twenty feet in the air. The clear water sparkles in a rogue beam of light that has found it's way through the thick foliage as it falls into a small pond, were small koi are swimming, before journeying on as a babbling brook.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex (88.91%). The presence of life in or around the water indicates a strong desire for children (83.53%). The movement of the water suggests a normal, average if somewhat playful sex drive (100.00%).

When you came to the water, you crossed it.

The subject is open to new sexual experiences.

This is how you described the cup:

A small tin cup rests on a flat, grey rock. It is badly battered and disfigured, but still holds water very well.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. That the container is refuse or damaged suggests a cynicism about the institution (54.61%).

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

The round, silver, head shines brightly. The notches and ridges look like an average house key.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Decorative keys suggest that the subject wants an attention-grabbing, one-of-a-kind career (46.30%). Note that the subject is confused about the purpose of the key: the subject has no discernible goals when it comes to a career (37.65%).

You confronted the bear.

In a crisis, the subject prefers the direct, no-nonsense approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.

See another test from 2006