Analysis for lsbunicorn, 20 January 2006

This is how you described the room:

room is body temperature, comfortable being nude. There is a bed, a dresser, a chest of drawers. Plants and pictures. Light comes in through curtains and a door that leads outside. the bed is firm, nicely outfitted, beige carpet on the floor. furniture is dark wood.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. The depth of description tells us that the subject has strong memories of childhood (75.54%). This comfortable room suggests a childhood that was pleasant (98.08%).

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

There are light willowy trees. various shades of greens. It's misty, foggy. Light is soft and diffused. soft layer of pine needles and leaves on the ground. tall trees, short trees, wide variety.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A well-lit forest tells us that the subject had considerable freedom at this time (50.94%). Tall trees imply that the adults had a strong influence on the subject (98.44%).

This is how you described the path:

easy to navigate. The path is visible and easy to follow. There are some plants growing over the path but no obstructions. Wide enough for two people to walk side by side. Not well traveled but used.

Adolescence is represented by the path through the forest. A wide path indicates that the subject had numerous options for emotional growth at this time (97.85%). The visibility of the path tells us that the subject had a good idea of what to expect from adolescence (99.98%). The lack of evidence of fellow travelers suggests strong feelings of isolation at that time (76.77%). That the path is free of obstructions indicates that the subject had no problems during adolescence (99.97%).

This is how you described the water:

A small waterfall pools into a small lake. You can see all around the lake, it's small, almost a pond. Slightly oval in shape, clear water, a slight mist rises from it. the water is warm, gentle currents move from the waterfall.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex (100.00%). Slow, gently moving water suggests a passive, restrained, calm sex drive (98.84%).

When you came to the water, you went around it.

The subject is not interested in new sexual experiences.

This is how you described the cup:

Hand beaten metal. A silver color, like pewter. There is a celtic knot engraved on the cup. The rim is smooth from use. It's a goblet, no handles. The stem is sturdy but delicate.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A container that is both decorative and practical indicates that the subject considers both romantic and pragmatic aspects of marriage (87.96%).

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

Big brass skeleton key. Heavy in the hand. About 4 inches long. The top part is scroll work in the shape of a celtic knot. It unlocks a castle gate.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career (99.24%). Old-fashioned keys suggest that the subject desires a traditional career (61.13%).

You confronted the bear.

In a crisis, the subject prefers the direct, no-nonsense approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.