Analysis for C, 17 January 2006

This is how you described the room:

The room is cold but a little hot.It had strange decorations like a bed.The sofa was all different colours.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. The items in the room are average, which tells us that the subject has the normal memories of childhood (53.21%). A very uncomfortable room suggests a highly traumatic childhood (46.93%).

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

Well it was very very dark.The sky was very black and white.The moon glowed.The trees sparkled with light.The most scariest thing was there was a dragon.At christmas time a fierce cold monster came out into the woods.But there was a very good man who could stop him from coming.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave (56.32%). Average-sized trees imply the normal influence adults have on a child: neither insignificant nor impressive (66.82%).

This is how you described the path:

The path was covered with toxic waste.It could turn into monsters so people had to run across before the path changed.The path was very very wide.When you walk on the path you feel very very funny and you don`t look the same as you are.You could turn into something that was dark,purple and you`ll have dark powers.The path is hidden until you stand on it and turn into a purple spiky powerful person.You get eyes that allow you to see it.

Adolescence is represented by the path through the forest. A narrow path suggests that the subject had limited options for emotional growth at this time (99.95%). Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence (100.00%). The lack of evidence of fellow travelers suggests strong feelings of isolation at that time (94.00%). That plants are the major source of obstructions tells us that the subject’s problems arose mostly from interactions with adults (97.53%).

This is how you described the water:

The water is as big as a mountain.It too is toxic waste but far more powerful.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex (96.05%). The movement of the water suggests a normal, average if somewhat playful sex drive (33.53%).

When you came to the water, you crossed it.

The subject is open to new sexual experiences.

This is how you described the cup:

Well it was something that could make you more powerful like an energy boost.It was colourful and inside it it had a strange drink.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage (90.09%).

You took the cup and filled it.

The subject is interested in marriage, and sex will be a significant part of that relationship.

This is how you described the key:

It was big but it wasn`t that heavy.It unlocks the door that will take you back home.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career (82.43%). Old-fashioned keys suggest that the subject desires a traditional career (56.40%).

You avoided the bear.

In a crisis, the subject prefers the indirect, non-confrontational approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.