These results are a rough estimate of a proper analysis. The AI used to generate this report can make very stupid mistakes. Numbers in parentheses represent the confidence the AI has in the preceding statement.
This is how you described the room:
I open my eyes and find that I am in a dark, red painted room in a huge italian collum style bed. I am covered with brown velvet throw and I am completely naked. There are candles and flowers everywhere.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This comfortable room suggests a childhood that was pleasant (98.66%). The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood (88.61%).
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
The forest is tropical. There is alot of undergrowth and it looks like no one has ever visited this place before. It is daytime, but the forest is so thick, the shadows so many that only daybreak type light flowes through their branches.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave (74.65%). Tall trees imply that the adults had a strong influence on the subject (100.00%).
This is how you described the path:
The path that may lead out of the forest is barely visible. I can barely see it. Could it be that I am the only one ever here?
Adolescence is represented by the path through the forest. Lots of obstructions on the path indicate many problems during adolescence (38.30%). The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time (57.90%). Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence (54.72%). A wide path indicates that the subject had numerous options for emotional growth at this time (67.73%).
This is how you described the water:
It is a huge rushing river, like one you might see in the Amazon. It must lead to a Waterfall.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex (89.16%). The presence of life in or around the water indicates a strong desire for children (83.49%). The movement of the water suggests a normal, average if somewhat playful sex drive (94.62%).
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
It is a silver gobblet, tarnished and abused, but once was beautiful and cared for.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. That the container is refuse or damaged suggests a cynicism about the institution (54.06%).
You took the cup and filled it.
The subject is interested in marriage, and sex will be a significant part of that relationship.
This is how you described the key:
The key is a skeleton key, brass with a celtic type emblem on the end. It must unlock the door to the room of my fantasy.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Decorative keys suggest that the subject wants an attention-grabbing, one-of-a-kind career (46.39%). Note that the subject is confused about the purpose of the key: the subject has no discernible goals when it comes to a career (36.65%).
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you tried to go around it.
The wall represents death: by trying to walk around it, the subject shows an acknowledgment of death, but also a need for an alternative to its finality, such as an afterlife or reincarnation.