Analysis for Jar Jar Binks, 17 May 2005

This is how you described the room:

This is an irregularly shaped room with nothing in it but a low bed, a small table and one simple wooden chair. There is a plate on the table that looks like something greasy and tomato-y has recently been eaten off of it. A look at the floor will reveal that a knife and fork were also used. These now lie on the floor on either side of the table. There's a photo of what appears to be Ayn Rand pinned up on the wall, looking frequently wanked to.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood (66.34%). An uncomfortable room suggests a childhood that was devoid of happiness (97.57%).

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

The forest is pitch dark, the trees indiscernable but huge and menacing. There is a strong scent of rotting leaves in the air which is very moist; there must be a fog. Eerie noises that sound like metal dragged against metal or whistling played at slow speed come to my ears as if carried by a large body of water, and I feel cold.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A very dark forest tells us that the subject felt considerably oppressed by the attentions of the adults (99.56%). Tall trees imply that the adults had a strong influence on the subject (78.25%).

This is how you described the path:

I've been here before, a lot of times, which is how I know where the path goes; that and feeling the trees with my hands. If it were daytime I would be able to see the path, but not in this blackness.

Adolescence is represented by the path through the forest. A narrow path suggests that the subject had limited options for emotional growth at this time (99.99%). Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence (99.97%). The lack of evidence of fellow travelers suggests strong feelings of isolation at that time (99.92%). That the path is free of obstructions indicates that the subject had no problems during adolescence (68.89%).

This is how you described the water:

This is a lake about a mile long and half wide, with a large island in the middle. The water is practically stagnant except for some ripples the wind makes on it. An otter is playing in the water on the other side of the lake, near the water's edge.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex (76.42%). Slow, gently moving water suggests a passive, restrained, calm sex drive (99.79%).

When you came to the water, you went around it.

The subject is not interested in new sexual experiences.

This is how you described the cup:

This is a bottle that used to hold Mountain Dew. Someone has pissed in it. Yep.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage (93.35%).

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

Someone's car key is what this is. One of those silly modern ones with a groove in the middle and a button that locks and unlocks the doors by a radio signal.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career (79.37%). An ordinary-looking key suggests that the subject desires a nondescript career (98.66%).

You avoided the bear.

In a crisis, the subject prefers the indirect, non-confrontational approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.