Analysis for QuAsarZ !?!, 13 April 2005

This is how you described the room:

A chilling feeling made me shudder as me woke up, the inexplicable lukewarm presence made me feel like as if me was in the eye of the hurricane. The room was adorned with magnificient jewelleries and other gold-plated accessories. The wonderful sceneries just mesmerized me.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. An uncomfortable room suggests a childhood that was devoid of happiness. The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood.

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

The trees resemble cypresses and were downright spooky.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Average-sized trees imply the normal influence adults have on a child: neither insignificant nor impressive.

This is how you described the path:

I could hardly find my way through the dark forest. It was a maze that was like a jigsaw puzzle itself.

Adolescence is represented by the path through the forest. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence. A narrow path suggests that the subject had limited options for emotional growth at this time. The lack of evidence of fellow travelers suggests strong feelings of isolation at that time. That plants are the major source of obstructions tells us that the subject’s problems arose mostly from interactions with adults.

This is how you described the water:

The water was fluid and undiscernable. The origins of it were unknown, the sleek and yet gentle and soothing water flow trickled like raindrops.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Slow, gently moving water suggests a passive, restrained, calm sex drive. Clear water tells us that the subject has no issues regarding sex.

When you came to the water, you went around it.

The subject is not interested in new sexual experiences.

This is how you described the cup:

I could not believe myself that the cup was actually a golden crown jewel. The shiny cup was actually able to hold a capacity of 3 thousand litres of water.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A decorative container indicates that the subject views marriage as a romantic adventure. Note the hyperbole in describing the cup, suggesting that the subject has unreasonable expectations about marriage.

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

The masterkey was able to unlock all forms of locks by reshaping itself to fit into the keyholes of all forms of doors, treasure chests and things.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Versatile keys tell us that the subject has numerous but unfocused expectations about a career.

You confronted the bear.

In a crisis, the subject prefers the direct, no-nonsense approach.

When you came to the wall, you tried to go around it.

The wall represents death: by trying to walk around it, the subject shows an acknowledgment of death, but also a need for an alternative to its finality, such as an afterlife or reincarnation.