Analysis for Lorin, 14 January 2005

This is how you described the room:

warm. wood frames. carpeting. big windows.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. The items in the room are average, which tells us that the subject has the normal memories of childhood.

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

dark. big forest. tall trees with no leaves. unvisible. grey. monotone.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Tall trees imply that the adults had a strong influence on the subject. A very dark forest tells us that the subject felt considerably oppressed by the attentions of the adults.

This is how you described the path:

narrow path. starts off clear path with alot of rocks, some areas of obstruction. fallen leaves.

Adolescence is represented by the path through the forest. The visibility of the path tells us that the subject had a good idea of what to expect from adolescence. A narrow path suggests that the subject had limited options for emotional growth at this time. Lots of obstructions on the path indicate many problems during adolescence.

This is how you described the water:

very cold. foggy water. bottom is slightly visible. alot of rocks in the water. not very wide. shallow. leaves in water.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). The movement of the water suggests a normal, average if somewhat playful sex drive. Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex.

When you came to the water, you went around it.

The subject is not interested in new sexual experiences.

This is how you described the cup:

made of steele. big cup with handle. filled with water. shiney metal.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.

You took the cup and filled it.

The subject is interested in marriage, and sex will be a significant part of that relationship.

This is how you described the key:

old fashioned key, kind of rusty, has a design at the end, silver. it opens a tall gate made of steel around an abondoned building that could be a mansion.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Keys to palaces, castles, and other fortifications are normally indicative of a desire for power. Old-fashioned keys suggest that the subject desires a traditional career.

You avoided the bear.

In a crisis, the subject prefers the indirect, non-confrontational approach.

When you came to the wall, you tried to go around it.

The wall represents death: by trying to walk around it, the subject shows an acknowledgment of death, but also a need for an alternative to its finality, such as an afterlife or reincarnation.