This is how you described the room:
It is cool, but not too cold, the furnishings look old and victorian, with lots of rich, deep colors, browns, bergandies, fall colors. It smells like old and well worn leather. A crisp breaze from the half open window brings in the smell of lillac and moist earth.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood.
You wanted to leave the room.
The subject wanted to become an adult.
This is how you described the forest:
Deep and disiduous, lots of fronned foliage, massive twisted trunks, many places for the eye to wander and wonder.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
Complicated, winding, moving through the wood, over and through the heavy trees, around bolders. Hard to climb and a bit slippery in places.
Adolescence is represented by the path through the forest. Lots of obstructions on the path indicate many problems during adolescence. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence.
This is how you described the water:
The ocean, I'm overlooking it high on a cliff, it's calm and subdued, covered by a gray mist.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex. Slow, gently moving water suggests a passive, restrained, calm sex drive.
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
A conch, light pink inside and gracefully cuving.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A container that is both decorative and practical indicates that the subject considers both romantic and pragmatic aspects of marriage.
You took the cup but left it empty.
The subject is interested in marriage, but sex won’t be a significant part of that relationship.
This is how you described the key:
Stained gold, intricate and heavy. I think it unlocks a door.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Decorative keys suggest that the subject wants an attention-grabbing, one-of-a-kind career. Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career.
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.