This is how you described the room:
it is very cold. the walls are a deep, dark red color and their is an old antique, stiff looking couch and loveseat. Paisley. There is an fireplace that looks as if it hasn't been used in ages, and the wood beside it is moldy.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. An uncomfortable room suggests a childhood that was devoid of happiness. The depth of description tells us that the subject has strong memories of childhood.
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
it is shady and there are all kinds of trees there. all very old and tall and knobby and gnarled
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave. Small trees imply that the adults had a weak influence on the subject.
This is how you described the path:
the path is wide and sunny and easily traveled. clearly marked with signs.
Adolescence is represented by the path through the forest. That the path is free of obstructions indicates that the subject had no problems during adolescence. The visibility of the path tells us that the subject had a good idea of what to expect from adolescence. A wide path indicates that the subject had numerous options for emotional growth at this time.
This is how you described the water:
the water is a murky and cold pond. there are things floating just beneath the surface, and I cant really tell what the are but they frighten me.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex. Stagnant or still water suggests a sex drive that is absent or pathologically inactive, not by choice of the subject.
When you came to the water, you went around it.
The subject is not interested in new sexual experiences.
This is how you described the cup:
it is an emerald green goblet with dirt and filthy water inside. it is cracked.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. That the container is refuse or damaged suggests a cynicism about the institution.
You left the cup behind.
The subject is not interested in marriage.
This is how you described the key:
the key is a very old antique key. brass. it unlocks a house that I have yet to find.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Old-fashioned keys suggest that the subject desires a traditional career. Indicating that the key accesses something along the path (the subject’s history) suggests that a career is to solve a life-problem.
You avoided the bear.
In a crisis, the subject prefers the indirect, non-confrontational approach.
When you came to the wall, you tried to go around it.
The wall represents death: by trying to walk around it, the subject shows an acknowledgment of death, but also a need for an alternative to its finality, such as an afterlife or reincarnation.