This is how you described the room:
The room is all clear blue. It has bare furnishings that are in the retro modern style. There is an orange chair in the corner and an old man pointing at me from the bathroom. It is a bedroom.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. Few, simple furnishings tells us that the subject has few memories of that time.
You wanted to leave the room.
The subject wanted to become an adult.
This is how you described the forest:
It is bright, but the forest trees shade the path until it is dark. The trees are very tall.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
It is wide and well-traveled and clearly marked.
Adolescence is represented by the path through the forest. The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time. The visibility of the path tells us that the subject had a good idea of what to expect from adolescence. A wide path indicates that the subject had numerous options for emotional growth at this time.
This is how you described the water:
The water is very cold and running fast. It is easily crossable, though. It looks refreshing enough to drink.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex. Fast-moving water indicates a strong, active sex drive.
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
It is old tin with a handle.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.
You took the cup and filled it.
The subject is interested in marriage, and sex will be a significant part of that relationship.
This is how you described the key:
It is old and silver, yet rusted. It has loops at the top like something from the 1940s. It probably unlocks a secret garden door.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Old-fashioned keys suggest that the subject desires a traditional career. Magical or fantastic keys suggest that the subject has unreasonably high expectations of what will result from a career.
You avoided the bear.
In a crisis, the subject prefers the indirect, non-confrontational approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.