Analysis for Big Badass Grizzly...feel my wrath, 7 June 2002

This is how you described the room:

The Room is completely white, nothing on the walls, nothing on the floor....just a white light bulb hanging done from the ceiling. The room is of a moderate temperature, not too hot, not too cold.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. No furnishings at all tells of either a complete absence of memories from that time or active suppression of said memories.

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

Once I step outside, I see a sea of darkness, just silhouettes of trees, not distinct details or intricate descriptions of the trees ahead of me. The moonlight is shining brightly, but cannot be seen through the thick shroud of branches and leaves of the forest.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Note that the trees obliterate all but traces of the moonlight; this is indicative of overprotective adults that smothered the subject with their attentions.

This is how you described the path:

The path ahead is very blocked... many branches, shubbery, hills. The path actaully ends at one point and picks up again. Not easily followed.

Adolescence is represented by the path through the forest. Lots of obstructions on the path indicate many problems during adolescence.

This is how you described the water:

The water seems to be running at fast paced current, so loud it almost seems to drown out the insects of the night, and other creatures. Its very rocky in the middle, and does not seem too advisable to cross w/o struggling through it.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Rushing, violent water indicates a powerful, vigorous, and quite possibly compulsive sex drive. Clear water tells us that the subject has no issues regarding sex.

When you came to the water, you crossed it.

The subject is open to new sexual experiences.

This is how you described the cup:

The cup is wooden. Its designed so that the top half of the cup is broad, and has a narrow stand that supports it. Very similiar to how the "holy grail" is invisioned

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage. Note that the subject associates it with a holy relic. This could indicate an unusual reverence for the institution of marriage.

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

The key is orange-redish in color from being worn and rusted. its rough in texture, and very simple like. It seems to be an older style of key, and it seems as if to open up a very small door.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career. The size of the door is interesting. Does the subject have short-sighted goals, or are they everyday goals just on a smaller scale? Old-fashioned keys suggest that the subject desires a traditional career.

You avoided the bear.

In a crisis, the subject prefers the indirect, non-confrontational approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.