This is how you described the room:
Nothing, walls are, but still they seem to 'fade' into somewhere... it black and cold
jamis vu, i would feel uncomfortable, but still some kind of exited about it...
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. An uncomfortable room suggests a childhood that was devoid of happiness. No furnishings at all tells of either a complete absence of memories from that time or active suppression of said memories.
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
first they are dark and gloomy but began to brighten... but till the end they still are dark as night shapes won't stay in my mind ... they 'slip' away... just colors stay
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A very dark forest tells us that the subject felt considerably oppressed by the attentions of the adults.
This is how you described the path:
Path makes mind shattering turns and twist ... best describe would be 'scream' but there is not one path, but any paths ...
Adolescence is represented by the path through the forest. Lots of obstructions on the path indicate many problems during adolescence. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence.
This is how you described the water:
Natural, shapeshiftin' and dim... weird i suppose. But it calls me ... waters seem to be tainted... somekinda... but still its glowin' dim green light
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex. The movement of the water suggests a normal, average if somewhat playful sex drive.
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
There is no drink vessel, its just illusion
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. Here the subject describes the cup as insubstantial, which tells us that the subject sees marriage as an artificial and meaningless convention.
You left the cup behind.
The subject is not interested in marriage.
This is how you described the key:
key to nothing... I'll take it ... its mine to keep, it doesnt really look like anything...or nothing... i dont know
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). A key to nothing tells us that the subject expects nothing—not even the normal wages—from the job. This could be seen as an existentialist approach to employment.
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.