This is how you described the room:
The room is all read, wall, floors, and ceiling are all a deep red. Its is slightly warm in the room. There is nothing in the room besides myself.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This comfortable room suggests a childhood that was pleasant. No furnishings at all tells of either a complete absence of memories from that time or active suppression of said memories. (Perhaps the color scheme indicates suppressed anger?)
You wanted to leave the room.
The subject wanted to become an adult.
This is how you described the forest:
I see many thin pine trees, spread out among the hills, the are a bright green, and the spines on them are all spread out (and not bunched together).
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
It is very thin path, and is half covered by grass making it difficult to see.
Adolescence is represented by the path through the forest. The lack of evidence of fellow travelers suggests strong feelings of isolation at that time. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence. A narrow path suggests that the subject had limited options for emotional growth at this time.
This is how you described the water:
It is a ditch. Its is the ditch where the sewage goes. Excrements where all washed up on the bank, and the water was very murky. It was probably dug by a nearby village.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex. Rushing, violent water indicates a powerful, vigorous, and quite possibly compulsive sex drive.
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
It is as disgusting as the river. It is all gooey and smelly. I doubt any one would want to drink from it now.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. That the container is refuse or damaged suggests a cynicism about the institution.
You left the cup behind.
The subject is not interested in marriage.
This is how you described the key:
Its one of those old fashioned keys, which are big and bronze, and have a small handle.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Old-fashioned keys suggest that the subject desires a traditional career.
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.