This is how you described the room:
The room is warm and smells slightly of... yes, chocolate. On the maple table there are some magazines and a few empty cans. The table is in front of a couch, with a love seat next to the couch at a right angle, also facing the table. The pictures on the wall feature mostly sports figures, though Edvard Munch's "The Scream" provides a lighter touch. The TV on the other side of the room shows Kentucky winning.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This comfortable room suggests a childhood that was pleasant. The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood. (This is assuming that the subject likes chocolate, of course.)
You wanted to leave the room.
The subject wanted to become an adult.
This is how you described the forest:
The firs are old-growth. A carpet of brown needles softens the ground. There's some space between the trunks, and the bright sky is visible above.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. That the forest is very bright tells us that the subject had extensive freedom while growing up. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
The path is distinct mostly because the grass is a bit worn, though not to the point of dirt. A few needles are scattered here and there near the trees, and finally the trail vanishes, though not at any distinct point.
Adolescence is represented by the path through the forest. That the path is free of obstructions indicates that the subject had no problems during adolescence. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence.
This is how you described the water:
Well, if it ends, it must be too large to cross. Let's call it a pond, a little brackish, with some branches and roots near the edges.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Murky, dirty, or otherwise unclear water suggests that the subject has significant issues regarding sex. Stagnant or still water suggests a sex drive that is absent or pathologically inactive, not by choice of the subject.
When you came to the water, you went around it.
The subject is not interested in new sexual experiences.
This is how you described the cup:
A Nori.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A Nori© (look it up on Google) is a rather unusual vessel to encounter, suggesting a strong sense of whimsy about the institution of marriage.
You left the cup behind.
The subject is not interested in marriage.
This is how you described the key:
It looks like a door key. It unlocks a door. It looks like every other door key -- there's nothing distinctive about door keys, usually.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). An ordinary-looking key suggests that the subject desires a nondescript career. Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career.
You avoided the bear.
In a crisis, the subject prefers the indirect, non-confrontational approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.