This is how you described the room:
The room is round, stone tower room that is slightly chilled. The furnishings are very modest and are of a rich cherry wood with a female vanity with a large circular mirror etched with magical symbols on the outer metal frame, there is also a canopy four-poster bed with curtains surrounding of black silk. Everything else in the room is simply just a black trunk with candles on top of it, burning brightly and a single white candle near the bed that is lit. The windows are draped with a similar black silk as are on the curtains of the bed.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. The depth of description tells us that the subject has strong memories of childhood. Note the mythical motif, as if the subject spent most of childhood in a fantasy world.
You wanted to leave the room.
The subject wanted to become an adult.
This is how you described the forest:
The forest itself is made of many kinds of trees that seem almost magical in nature. It is light towards the entrance to the forest but venturing in makes it darker and darker. The trees vary from pines to oak trees, with a few willows strewn here and there. There is almost a feeling of fright the deeper into the forest you go.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
The path in relation to the forest is narrow, but well-travelled. At times, you can barely see the path, but then it widens out and is visible again.
Adolescence is represented by the path through the forest. That the path is free of obstructions indicates that the subject had no problems during adolescence. The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence. A narrow path suggests that the subject had limited options for emotional growth at this time.
This is how you described the water:
The water is completely natural and feels cool against my skin. The chill in the water matches the chill in the forest almost perfectly. The water is actually a stream that looks as though it branches into larger water. Rocks are strewn here and there with moss growing on them, and little fish darting here and there.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex. The presence of life in or around the water indicates a strong desire for children. The movement of the water suggests a normal, average if somewhat playful sex drive.
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
The vessel is a simple wine glass. The glass is clear, but looks a bit dusty. It is plain as can be.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.
You took the cup and filled it.
The subject is interested in marriage, and sex will be a significant part of that relationship.
This is how you described the key:
The key is a simple wooden key and looks like it unlocks a door of some kind. It is an old type of key with a round end and a long old-fashioned tong or two that is used to trip tumblers in a key-hole. It looks as though the key was painted at one time but over time the paint has scraped off the key, leaving it scarred.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Old-fashioned keys suggest that the subject desires a traditional career. Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career.
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.