Analysis for Shilantra, 2 January 2000

This is how you described the room:

The room is cold, even under the blanket on the bed. The room is bright with the sun streaming in the window. There is an old couch in the room, a night-stand, alarm clock, and lots of pillows on the bed.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. An uncomfortable room suggests a childhood that was devoid of happiness. The items in the room are average, which tells us that the subject has the normal memories of childhood.

You wanted to leave the room.

The subject wanted to become an adult.

This is how you described the forest:

It's a thick forest with lots of pine trees. The ground is layered with brown needles.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Tall trees imply that the adults had a strong influence on the subject. Average lighting tells us that the subject received enough attention from the adults to be guided but not oppressed.

This is how you described the path:

The path is narrow, and looks like it's not been used in a long while, but is still easily navigated.

Adolescence is represented by the path through the forest. A narrow path suggests that the subject had limited options for emotional growth at this time. The lack of evidence of fellow travelers suggests strong feelings of isolation at that time. That the path is free of obstructions indicates that the subject had no problems during adolescence.

This is how you described the water:

The stream is natural, cool and bubbling gently across smooth rocks clearly visible at the bottom.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). The movement of the water suggests a normal, average if somewhat playful sex drive. Clear water tells us that the subject has no issues regarding sex.

When you came to the water, you crossed it.

The subject is open to new sexual experiences.

This is how you described the cup:

It's one of those Confederate water cans. Round and canvas covered.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

The key is small and silver. I think it unlocks someone's house.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career. An ordinary-looking key suggests that the subject desires a nondescript career.

You avoided the bear.

In a crisis, the subject prefers the indirect, non-confrontational approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.