This is how you described the room:
It is white and clean with very little furnishings. It's very warm and full of light. I can see small round objects and large round objects sitting on tables, and on the floor... the large ones on the floor... besides the bed and these tables there is a simple chair... with... a figure sitting in it.. a figure bathed in white.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. Few, simple furnishings tells us that the subject has few memories of that time.
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
The forest is thick... damp... cloyingly hot like a rain forest would be... the vegetation is large, lush...vibrant...
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A semi-dark forest tells us that the subject felt somewhat oppressed by the attention the adults gave. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
The path is narrow but clear... very well-trodden... the cool dirt is lovely on my bare feet... I'm excited to see where I'm being lead.
Adolescence is represented by the path through the forest. That the path is free of obstructions indicates that the subject had no problems during adolescence. The strong evidence of fellow travelers tells us that the subject received a lot of support from friends and family during that potentially troubling time. The visibility of the path tells us that the subject had a good idea of what to expect from adolescence. A narrow path suggests that the subject had limited options for emotional growth at this time.
This is how you described the water:
It's a cool, clear natural waterfall that flows down into a shallow pond, perfect for swimming... their are bright little fish darting about and i think i see a cave behind the falls... i want to get in this water and feel it on my nude skin.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex. The presence of life in or around the water indicates a strong desire for children. Fast-moving water indicates a strong, active sex drive.
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
It's a clear jar... like a canning jar only a little more ornate... a different shape then most... shorter, more slender... like the jars that craft people put their little pretties in to display...
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A container that is both decorative and practical indicates that the subject considers both romantic and pragmatic aspects of marriage.
You took the cup and filled it.
The subject is interested in marriage, and sex will be a significant part of that relationship.
This is how you described the key:
It is shaped like a guitar pick and is smooth, silver-bright metal... aluminum, i think.... it's worn on one edge as if it has been gripped by many fingers before... it seems to unlock a person... or an animal...
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Magical or fantastic keys suggest that the subject has unreasonably high expectations of what will result from a career. This key is rather unique in appearance: the subject seeks a career that sets one apart from the crowd.
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you tried to go around it.
The wall represents death: by trying to walk around it, the subject shows an acknowledgment of death, but also a need for an alternative to its finality, such as an afterlife or reincarnation.