This is how you described the room:
The room is hot but yet comfortable. It has a large table of dark glass which has a mesmerizing mirror effect, nearly setting the spectator into a trance. Dark matching chairs surround this mammoth table. Their construction is of the most exquisite of silver with tinges of gold. The material is a cloth of eastern origin. Nothing else exists but a candle lit dancing flame. Its rhythm sings.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This comfortable room suggests a childhood that was pleasant. The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood.
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
The forest seems never ending, though extremely beautiful, breathtaking, in fact. High above the line of trees is the deepest blue of sky with huge soft clouds all in pillow shape floating, in fact dancing with the rhythm of the wind. Wolves howl, crickets chirp, while squirrels and chipmunks race around, up and down, up and down until the night has come. Then peace while the melody expands reaching the moon and stars. Daylight was bright and beautiful, but now the mystic change into the darkness has given new illumination while elements of life find their chance to dream. And then the dawn. A new world is come.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. A well-lit forest tells us that the subject had considerable freedom at this time. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
"I took the road less travelled by, and that has made all the difference," to quote one who had graced this path before. Narrow and barely visible, it is adventure to the fullest realm of imagination. It is ecstasy beyond.
Adolescence is represented by the path through the forest. That the path is free of obstructions indicates that the subject had no problems during adolescence. The lack of evidence of fellow travelers suggests strong feelings of isolation at that time. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence. A narrow path suggests that the subject had limited options for emotional growth at this time. Note that the subject seems to revel in this isolation.
This is how you described the water:
All natural and ever flowing. It is ocean with splashing waves, beating yet gently into the rocks, moistening the sand and promising me peace as I listen to their soothing song. The water is warm, inviting me to join the dance. And I am in.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Slow, gently moving water suggests a passive, restrained, calm sex drive.
When you came to the water, you went around it.
The subject is not interested in new sexual experiences.
This is how you described the cup:
A large crystal cup which overflows with the most refreshing of clear natural water. I am resurrected now.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A decorative container indicates that the subject views marriage as a romantic adventure.
You took the cup and filled it.
The subject is interested in marriage, and sex will be a significant part of that relationship.
This is how you described the key:
It is a skeleton key, rusty, unused for years, perhaps centuries. It unlocks my future.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Old-fashioned keys suggest that the subject desires a traditional career. Magical or fantastic keys suggest that the subject has unreasonably high expectations of what will result from a career.
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.