Analysis for Anonymous, 16 April 1999

This is how you described the room:

Four walls with a glass ceiling, blue sky and a few clouds above, the sun beginning to show above the west wall. There's an large Indonesian wooden cabinet in a corner, doors open, a thick towel on a shelf. That's all.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. The depth of description tells us that the subject has strong memories of childhood.

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

Old Ponderosa forest--spaced wide, soft ground, thick needle matting, a few shrubs here and there, lots of light.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Tall trees imply that the adults had a strong influence on the subject. A well-lit forest tells us that the subject had considerable freedom at this time.

This is how you described the path:

The path is barely visible, the forest is wide open, there are many such paths through the flatland ponderosas-- in the rocky steeps the paths are more defined, dirt winding up, around and over rock.

Adolescence is represented by the path through the forest. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence. A wide path indicates that the subject had numerous options for emotional growth at this time. A few, scattered obstructions indicate the occasional problem in adolescence, but nothing consistent nor insurmountable.

This is how you described the water:

A small mountain stream, mossy rock bottom, cut into dirt banks.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). The movement of the water suggests a normal, average if somewhat playful sex drive. Clear water tells us that the subject has no issues regarding sex.

When you came to the water, you crossed it.

The subject is open to new sexual experiences.

This is how you described the cup:

A wooden cup.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.

You left the cup behind.

The subject is not interested in marriage.

This is how you described the key:

An old key, discolored bronze, unlocks a large set of doors.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career. An ordinary-looking key suggests that the subject desires a nondescript career.

You avoided the bear.

In a crisis, the subject prefers the indirect, non-confrontational approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.