This is how you described the room:
blue. cold.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. A very uncomfortable room suggests a highly traumatic childhood.
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
big. green.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
rocks.
Adolescence is represented by the path through the forest. Lots of obstructions on the path indicate many problems during adolescence.
This is how you described the water:
river. wet.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Fast-moving water indicates a strong, active sex drive.
When you came to the water, you went around it.
The subject is not interested in new sexual experiences.
This is how you described the cup:
hollow.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.
You took the cup and filled it.
The subject is interested in marriage, and sex will be a significant part of that relationship.
This is how you described the key:
pointy. lock.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). An ordinary-looking key suggests that the subject desires a nondescript career. Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career.
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.