This is how you described the room:
The room is large, rectangular, with small windows and three doors. It has a strange chair set beside three small tables. The sun has warmed it but without the natural light it might get very cold.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. Few, simple furnishings tells us that the subject has few memories of that time.
You wanted to leave the room.
The subject wanted to become an adult.
This is how you described the forest:
The large coniferous trees are loosely spaced with plenty of sun streaming through the gaps in the canopy.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. That the forest is very bright tells us that the subject had extensive freedom while growing up. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
The small, well-defined deer trail runs through it in a basically straight line, with plenty of space to walk.
Adolescence is represented by the path through the forest. That the path is free of obstructions indicates that the subject had no problems during adolescence. The visibility of the path tells us that the subject had a good idea of what to expect from adolescence. A narrow path suggests that the subject had limited options for emotional growth at this time.
This is how you described the water:
The large river is impassible. The rapids directly ahead are intimidating and loud. The water is frigid and clear as glass.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex. Rushing, violent water indicates a powerful, vigorous, and quite possibly compulsive sex drive.
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
It is what appears to be an animal bladder, large and full. It has the appearance of much use but has obviously been cared for.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.
You left the cup behind.
The subject is not interested in marriage.
This is how you described the key:
The key is a standard skeleton key, it probably unlocks the secrets to this weird-ass test. But most likely wont tell me haw the bladder changed to a cup without my consent.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Old-fashioned keys suggest that the subject desires a traditional career. Magical or fantastic keys suggest that the subject has unreasonably high expectations of what will result from a career.
You confronted the bear.
In a crisis, the subject prefers the direct, no-nonsense approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.