Analysis for Bong PAscor, 13 January 1999

This is how you described the room:

I am in a air-conditioned room, a cold room that is enough for me to wake up with a smile. It is carpeted with paintings and with curtains that limits the sunshine coming in. Also it has a a dim light, for hawthorn effect. It has also a bathroom with a bathtub filled with petals of rose floating in soapy water.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This comfortable room suggests a childhood that was pleasant. The significant detail in the description of the room tells us that the subject has rich, lasting memories of childhood.

You wanted to leave the room.

The subject wanted to become an adult.

This is how you described the forest:

There are tall trees a few meters of the door. Trees that has leaves that emphasize the sun rays. i can see beyond it has flowing water, and butterflies that hops on every flower, birds singing and almost an inch tall of grass

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Tall trees imply that the adults had a strong influence on the subject. Average lighting tells us that the subject received enough attention from the adults to be guided but not oppressed.

This is how you described the path:

The forest is very nice to camp-in. Wild boars and deers can be hunted and near lake can go fishing with.

Adolescence is represented by the path through the forest. Not much can be inferred about the subject’s adolescence, because the path is not explicitly mentioned here.

This is how you described the water:

It is lake, you can smell the nature with it. Hoping fishes you can see.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Slow, gently moving water suggests a passive, restrained, calm sex drive. Clear water tells us that the subject has no issues regarding sex. The presence of life in or around the water indicates a strong desire for children.

When you came to the water, you crossed it.

The subject is open to new sexual experiences.

This is how you described the cup:

it is three-fourths of coconut husk.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.

You took the cup but left it empty.

The subject is interested in marriage, but sex won’t be a significant part of that relationship.

This is how you described the key:

a door which i come from.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Indicating that the key accesses something along the path (the subject’s history) suggests that a career is to solve a life-problem. An ordinary-looking key suggests that the subject desires a nondescript career.

You avoided the bear.

In a crisis, the subject prefers the indirect, non-confrontational approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.