This is how you described the room:
The room is warm but there are many little colorful objects.
The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. The depth of description tells us that the subject has strong memories of childhood.
You wanted to stay in the room.
The subject did not want to grow up.
This is how you described the forest:
The forest is thick with tall pine trees. It is bright.
The forest is growing up, and the trees are those adults with whom the subject interacted at that time. That the forest is very bright tells us that the subject had extensive freedom while growing up. Tall trees imply that the adults had a strong influence on the subject.
This is how you described the path:
The path is visible and easily navigated.
Adolescence is represented by the path through the forest. That the path is free of obstructions indicates that the subject had no problems during adolescence. The visibility of the path tells us that the subject had a good idea of what to expect from adolescence.
This is how you described the water:
The water is natural and has rapids. The water is clean and clear.
The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Clear water tells us that the subject has no issues regarding sex. Rushing, violent water indicates a powerful, vigorous, and quite possibly compulsive sex drive.
When you came to the water, you crossed it.
The subject is open to new sexual experiences.
This is how you described the cup:
It is a blue cup.
The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. Not much can be determined about the subject’s feelings on marriage.
You left the cup behind.
The subject is not interested in marriage.
This is how you described the key:
A lock.
The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). An ordinary-looking key suggests that the subject desires a nondescript career. Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career.
You avoided the bear.
In a crisis, the subject prefers the indirect, non-confrontational approach.
When you came to the wall, you jumped over it.
The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.