Analysis for Grant M., 27 July 1998

This is how you described the room:

A patterned cloth rug covers the stained wood floor. Firelight creates shadows dancing on thick beige curtains.

The initial room is the subject’s childhood. What interests us here is the general atmosphere of the room, in addition to the level of furnishings described by the subject. This room is neither comfortable nor uncomfortable; this suggests the subject had a bland, uninspiring childhood. The items in the room are average, which tells us that the subject has the normal memories of childhood.

You wanted to stay in the room.

The subject did not want to grow up.

This is how you described the forest:

The forest floor, splotchy with sunshine struggling to penetrate the great canopy above, is littered with an earthen collage of red, amber and yellow leaves. It must be fall.

The forest is growing up, and the trees are those adults with whom the subject interacted at that time. Average-sized trees imply the normal influence adults have on a child: neither insignificant nor impressive. Average lighting tells us that the subject received enough attention from the adults to be guided but not oppressed.

This is how you described the path:

The forest path is difficult to follow since it was formed by the animal inhabitants of this place long ago. I can imagine some deer or elk in single file meandering to the river at which the narrow trail eventually ends.

Adolescence is represented by the path through the forest. Poor visibility of the path tells us the subject was often confused by the changes brought on by adolescence. A narrow path suggests that the subject had limited options for emotional growth at this time. The lack of evidence of fellow travelers suggests strong feelings of isolation at that time. That the path is free of obstructions indicates that the subject had no problems during adolescence.

This is how you described the water:

Whispering through the trees come the unmistakable sounds of river water. As I come to the bank of this healthy mountain stream I resist the urge to plunge my head into the icy waters until first testing the stability of the steep, rocky bank.

The water is the subject’s sexuality. What interests us here is the clarity of the water (representing attitude) and its movement (representing libido). Rushing, violent water indicates a powerful, vigorous, and quite possibly compulsive sex drive. Clear water tells us that the subject has no issues regarding sex.

When you came to the water, you went around it.

The subject is not interested in new sexual experiences.

This is how you described the cup:

A rusty metal pail is hanging from a nail in a Ponderosa Pine. Standing next to the pine reveals a surprisingly pungent vanilla odor.

The vessel, or specifically the practicality of the vessel, is how the subject approaches marriage or bonding. A practical container indicates that the subject is pragmatic when it comes to questions of marriage.

You took the cup and filled it.

The subject is interested in marriage, and sex will be a significant part of that relationship.

This is how you described the key:

A quick flash of sunlight brings a shiny new brass key to my attention. Due to the key's large size, I imagine that it belongs to a door lock, perhaps to a cottage in these woods.

The key is the ideal career for the subject. What interests us here is how the key appears (representing how others view the career) and what it may open (representing the subject’s goals for the career). Having the key open a house, car, or other commonplace use tells us that the subject has no extraordinary expectations about a career. An ordinary-looking key suggests that the subject desires a nondescript career.

You confronted the bear.

In a crisis, the subject prefers the direct, no-nonsense approach.

When you came to the wall, you jumped over it.

The wall represents death: by jumping over it, the subject not only acknowledges death but has come to accept its finality.